RF


songsofwolves:

I have sinned and must atone.They think that this will break my pride, that it will make an end to me, but they are wrong.

x

I will be queen, though?

People don’t like her because it’s the making of her, right now. When she, sometime soon in the future, becomes this person that she’s been kind of building up to, for the past three seasons, now four, then people will really begin to root for her. I think even the audience doesn’t realize she’s such a dark horse. If she acted badass and tried to kill everyone there, she would be dead by now! She’s so intelligent, and I can’t stress that enough. Courtesy is a lady’s armor. She’s using her courtesy to deceive people, and she’s using her former self as a facade, and it works so much to her advantage, because people still think she’s this naive, vulnerable, little girl, and she’s really not. She knows exactly what she’s doing. She knows what game she’s playing! And no one else does. And she’s learned from the best — Cersei, Margaery, Tyrion, Littlefinger, even Joffrey. She’s learned so much from these people, and they don’t even realize it. They’re unwittingly feeding her to become this great kind of manipulator. King’s Landing can either make or break a person, and in Sansa’s case, it’s making her.

— Sophie Turner, in response to Sansa hate (x)

when he heard cersei’s scream, he knew that it was over. 

the winter soldier + smoke

They send for a cask of Arbor gold, to toast good King Joffrey and his wise and benevolent Hand. At that Cersei lost patience. “It’s swords Joff needs, not toasts,” she snapped. “His realm is still plagued with would-be usurpers and self-styled kings.”

“But not for long, I think,” said Varys unctuously.

slavocracy:

A Song of Ice and Fire women & Pre-Raphaelite Art (+ associated artists): 

Joan of Arc (1865), John Everett Millais
- Night (1880-85), Edward Robert Hughes
Ophelia (1894), John William Waterhouse
Vanity (1907), Frank Cadogan Cowper
Mary Magdalene (1858-60), Frederick Sandys
The Soul of the Rose (1908), John William Waterhouse
Circe Offering the Cup to Ulysses (1891), John William Waterhouse
- Priestess of Delphi (1891), John Collier
The Beloved (1865), Dante Gabriel Rossetti
The Valykrie’s Vigil (1906), Edward Robert Hughes

If a Disney princess had night terrors, the story of Sansa Stark might be what woke her up screaming. Often overlooked in favor of her killer kid sister, the elder Stark sibling has had all her illusions about the world, and her safety in it, shattered. But her quiet, innate political shrewdness and emotional strength have enabled her to survive in a royal court that likely would have cost every other member of her family their heads. She’s the show’s best-kept secret.

— Rollingstone about Sansa Stark in their list of top 40 game of thrones characters. Sansa is number 4. x (via tomlincum)